New Year, New Artists
"New Year, New Artists" will feature a diverse collection of paintings and prints by six new gallery artists. Landscape is redefined by Jeremy Lund, who creates haunting, monochromatic screenprints of swirling water and hazy hillsides. In Justin Terlecki’s acrylic paintings, the landscape becomes a rich backdrop for narrative, biographical scenes of the artist’s travels and family life. Varying interpretations of portraiture also will be evident in this exhibition: Pat Olson’s colorful paintings of college students and colleagues explore the characters and personalities who make up her day-to-day world; and selections from printmaker Ellen Heck’s Forty Fridas project – images of women masquerading as Frida Kahlo – brings whimsy to the show. Rounding out the show are two artists who investigate abstract representations of nature: Joan Cox’s light-infused paintings of dancing leaf forms and Roberta Allen’s tactile prints of tangled lines lend a visceral quality to this exhibition.
Starts
1/20/2012 @ 12:00
Ends
1/20/2012
Location
The Annex Groveland Gallery
25 Groveland Ter
Minneapolis, MN 55403
"New Year, New Artists" will feature a diverse collection of paintings and prints by six new gallery artists. Landscape is redefined by Jeremy Lund, who creates haunting, monochromatic screenprints of swirling water and hazy hillsides. In Justin Terlecki’s acrylic paintings, the landscape becomes a rich backdrop for narrative, biographical scenes of the artist’s travels and family life. Varying interpretations of portraiture also will be evident in this exhibition: Pat Olson’s colorful paintings of college students and colleagues explore the characters and personalities who make up her day-to-day world; and selections from printmaker Ellen Heck’s Forty Fridas project – images of women masquerading as Frida Kahlo – brings whimsy to the show. Rounding out the show are two artists who investigate abstract representations of nature: Joan Cox’s light-infused paintings of dancing leaf forms and Roberta Allen’s tactile prints of tangled lines lend a visceral quality to this exhibition.